Collecting log: 40 years after the BORN IN THE U.S.A. Japan tour — nostalgic old bootlegs and miscellaneous vinyl/CD collectibles related to the official album (Part 4 of 4)

"Originally scheduled for exclusive release in Japan on September 22, 1999, the second wave of the first 'mini-LP' cardboard sleeve CD reissue series — including BORN IN THE U.S.A. — was ultimately canceled." The above photos show what I consider rare Japanese collectibles for this album: a withdrawn sample CD and an advance cassette tape placed on either the advance pressing (left) or the sample LP (right) — the cassette and both LPs date back to original 1984 release. A small white tracklist sheet included with the sample LP set contains a misspelling of "BLUCE" in the artist name column.

What comes to mind when you think of Japanese collectibles of this best-selling album? For me, they include the advance promotion-only LP and its cassette version (see 07/18/2015), as well as the withdrawn CD (Sony Music Entertainment SRCS 8984) from the second batch of Japan-exclusive paper sleeve reissues planned for fall 1999, which is believed to have been canceled at the request of Springsteen Inc. (see the last paragraph of 09/10/2016). Sample copies are also of interest to collectors. However, compared to white label promo LPs phased out in the late 1970s for CBS/Sony releases, these are less sought-after, differing from commercial copies only by a "SAMPLE" imprint (in kanji on the label of vinyl discs or as-is on the inner ring of CDs), and a rectangular sample sticker affixed to the back cover.

Collecting log: 40 years after the BORN IN THE U.S.A. Japan tour — nostalgic old bootlegs and miscellaneous vinyl/CD collectibles related to the official album (Part 3 of 4)

Released in numerous countries worldwide, BORN IN THE U.S.A. remains one of the most commercially successful albums in music history. While I have not conducted a thorough survey, its widespread distribution and chart success suggest that the album was officially released in over 40 countries across North America, Europe, Asia, Oceania, South America, and select parts of Africa and the Arab world.

As with Japanese releases, Mexican editions frequently featured 
altered sleeve designs and modified or added text, resulting in several 
collectible variants. A notable example is the gatefold edition of THE 
RIVER (CBS LP2S-103; see 06/18/2016), which displays lyrics on the 
inner panels rather than on a separate two-fold insert. Official colored 
vinyl pressings from the 1980s are also rare and highly collectible (see 
01/27/2020). The LP shown above (CBS CLS-5808) presents the 
Spanish tracklist and additional text along the bottom of the rear sleeve.

However, when collectible variants of this album — both regular and promotional editions — began to surface from various countries and became available to collectors in the mid-to-late 1980s, I was too engrossed in the flood of bootleg releases from the 1984–85 world tour, particularly those from Europe, to pay serious attention to the official releases. Consequently, many of the official vinyl records in my possession — some of which have been already showcased on this blog — were therefore acquired later, once the internet’s global rise made worldwide communication and transactions far more accessible. Anyway, here are a few of miscellaneous official collectibles of his mega hit album, as I hinted earlier.

Collecting log: 40 years after the BORN IN THE U.S.A. Japan tour — nostalgic old bootlegs and miscellaneous vinyl/CD collectibles related to the official album (Part 2 of 4)

The B5-size flyers were most likely distributed at or near the
Tokyo and Kyoto concert venues as well. English translations
of the Japanese text and descriptions provided by this blogger.

One more trivial recollection concerning bootlegs: I remember that on April 23, the final date of the Japan leg in 1985, a young guy was handing out what looked like flyers as I walked down from Osakajōkōen Station (Osaka Castle Park Station) — the nearest stop on the JR Osaka Loop Line — toward the concert venue, Osaka Castle Hall. Out of curiosity, I took one, which turned out to be a pre-order form for a then-unknown three-disc bootleg titled BORN IN THE AMERICA, slated for release on May 20, according to the description. Initially, I expected this new release to feature live recordings of Springsteen's first-ever concert(s) in Japan. However, I quickly realized the flyer explicitly stated “LIVE IN U.S.A. 1984,” although it provided no further details, such as the date, venue, or tracklist.

Collecting log: 40 years after the BORN IN THE U.S.A. Japan tour — nostalgic old bootlegs and miscellaneous vinyl/CD collectibles related to the official album (Part 1 of 4)

The ticket was mailed to me in a registered envelope from the
Osaka office of Udo Artists Inc., the tour promotion and man-
agement agency. A clipping — likely from a newspaper, though
uncertain — with the headline “Grammy Winner Bruce’s First-
Ever Japan Tour Becomes a Reality” appears to predate the
addition of two concert dates, April 13 in Tokyo and April 23
in Osaka, as those dates are not mentioned in the article.

This past April in Japan brought something of a celebration on social media among Springsteen fans and collectors. As you might know, this year marks the 40th anniversary of his first—and one of only three, if the one-off Amnesty concert is included — tours to the Far East, promoting his seventh album, BORN IN THE U.S.A. (see 04/23/2015 and 01/27/2018 for Japan tour-related posts). I was a junior in college when I had the good fortune to see him perform on the second night (April 23) in Osaka, which was also the final show of the Japan leg — a performance often regarded as the best of the eight played here. By the way, you might wonder why I’m not talking about the Kyoto concert held four days earlier (April 19), especially since I’ve occasionally mentioned on this blog that I was born and raised in this ancient capital city. The reason is simple: I missed it due to a critical mix-up that left me without a ticket — still one of the most regrettable memories of my youth.

BORN TO RUN U.S. Pressing LP Variants: The late-1970s Scranton pressing by North American Music Industries, or simply NAMI (Part 2 of 2)

The hand-etched "PN" refers to a vinyl record pressed at NAMI in
Scranton, subcontracted by Pitman when the Columbia Records plant
suspended operations due to a labor strike in the spring of 1978.

Scranton or New American Music Industries (NAMI) pressings of the BORN TO RUN LP (Columbia PC 33795) were unique among the several U.S. editions with the "PC"-prefixed catalog number that were commercially released in the 1970s (see 07/29/2016). As shown in the Part One post (04/12/2025), these copies differ noticeably from those pressed at Columbia Records’ three plants — Pitman, Terre Haute, and Santa Maria — particularly in the size of the stamper ring on the labels and the presence of the dead-wax stamp (☖) symbolizing the U.S. Capitol Building, both the same as those found on Scranton pressings of DARKNESS ON THE EDGE OF TOWN (JC 35318; see 3/21/2017 and 04/23/2022). The stamp likely reflects that Capitol Records had previously owned the Scranton plant before its takeover by NAMI in late 1973 (see Scott's comment from 03/18/2017). The plant continued operating until around 1980.