Collecting log: Further digging of NO NUKES collectibles and a nothing-to-rave-about but unexpected finding (Part 1 of 4)

What is the serial number of a new addition (right) to my collection? The "90/100" copy was obtained a few decades
ago (see 05/12/2019). The numbered edition of this rarely-surfaced promotional 12-inch disc, released in late 1979
or early 1980, has long been one of my all-time favorite vinyl collectibles.

First of all, I want to tell you about the current situation of this blog, especially those who have wondered why this site has not been updated for more than half a year. The answer is simple and not serious: although finally infected with COVID-19 four months ago, I'm fine and healthy. However, I just couldn't (and still hardly) have time for my favored things, including sharing information about vinyl and CD collectibles of my favorite artist, for I've been extremely busy with my job since the last post (yes, even though it's just a blog thing, I need to set aside time to do that). Anyway, I thank all of you who cared about the blog's situation and sent me such messages. Even though I had no time to blog, I enjoyed communications and deep discussions with fellow collectors, especially in the U.S. and Europe, on official rare collectible discs and old vinyl bootlegs.

Collecting log: CBS/SONY's bizarre 12" DISCO sampler with Springsteen's track

Probably, nobody would think of a Springsteen track on the shown sampler. The front sleeve is misleading since any artists and groups indicated are not featured on this promo compilation disc (check the tracklist on the right). The catalog number (YAPN 23) is not found anywhere on the sleeve (including the spine), and the tracklist is like a promotional flyer, printed on a separate sheet and taped on the plain yellow rear sleeve. So, I guess this color-illustrated sleeve was not specific to this particular pressing but commonly used for the "Super Disco Sound" series (i.e., this issue is Volume 19).

Collecting log: Top 3 collectible acquisitions in 2019 (Part 2 of 3)

Here is the second post of the subject introducing a collectible 12" single from the mid-1980s, which is a part of the twin vinyls of two different colors (I got one years ago, but not the other until recently). Although the remaining one had long been on my want list, I never hurried to get a copy of this until I found a reasonably priced one (and I did last year). In my opinion, these unique releases would explain why vinyl records can still be a lot of fun to collect. If interested, here are links to Part 1 and Part 3.

Two colors are better than one. The rarer green version is now in my collection 36 years after its release in Mexico, the only Latin American country I have visited before in my life (just once).
 

Collecting log: The early 1980s U.K. vinyl pressings with "timtom" or "Ty" handwritten matrix inscription (Part 1 of 4)

Whoever credited (see the inset taken from the lyric sheet), the
master lacquer of this vinyl pressing is cut by someone else.
Shown is a U.S. repressed copy of THE RIVER Disc 1, where the
matrix inscription "chet" means that the master-cutting engineer
is Chet Bennett who worked for CBS Records in the 1980s.

As you see in this blog, one of my favorite activities to do when hunting a vinyl record, whether official or bootleg, is to check the dead-wax space for the matrix numbers and associated stamps or inscriptions. This can allow us to know fundamental information regarding production of a given record, such as the generation of the pressing and location of the pressing factory. The initials of a mastering engineer are also hand-etched or stamped, though not always. Of course, we can know who is responsible for mastering and cutting, from production credits that are usually printed on the inner or outer sleeve, or accompanying lyric sheet. 

Collecting log: Devil With The Blue Dress Medley (live) from NO NUKES 1979 (a.k.a. the MUSE concert), a U.S. custom promotion-only 12" disc released as the 100-numbered 33⅓-speed limited edition (Part 4 of 4)

Released late in 1979 (or early in 1980?), the U.S.-only 12-inch 45 rpm single of Devil With The Blue Dress Medley (Asylum AS 11442) is the first ever analog disc in this form for promotion-only use, and the second ever among his entire catalog of this large-format single of gramophone record, following the Holland-only regular issue of Rosalita (CBS 12.7753). Despite the exclusive contract with Columbia Records, this live recording of his staple encore performance is licensed under Elektra/Asylum Records, which makes it his first non-Columbia release. The vinyl disc, backed with Jackson Browne's Before The Deluge (probably the best choice of non-Springsteen performances from the album NO NUKES), comes in a white die-cut sleeve with a custom-designed sticker pasted on the front. Any of these could be a good reason to add this promo vinyl, albeit rather common, to your collection. However, what makes it really a stand-out collectible is the presence of the alternate, extremely rare 33⅓ rpm edition limited to 100 numbered copies, as already mentioned on Part 1 on the subject.

Collecting log: Devil With The Blue Dress Medley (live) from NO NUKES 1979 (a.k.a. the MUSE concert), a U.S. custom promotion-only 12" disc released as the 100-numbered 33⅓-speed limited edition (Part 1 of 4)

Various NO NUKES releases (from left): a Japanese regular copy with the Obi strip; a custom U.S. promo-only 12" disc played at 45 rpm (still with the price tag of $10); same but played instead at 33⅓ rpm; a U.S. test pressing made at a Columbia Records plant in Santa Maria; and a white label U.S. promo copy.

You may be wondering why my blog was not updated for quite some time. Have I run out of material to write about?  Never, of course not and there are still plenty left. In the past months, my work-life balance was skewed too much towards work, which has kept me away from blogging and other hobbies for unpredictably long periods. In addition to this main reason, during this period, I have become a victim of the evil of eBay Global Shipping Program (GSP) thrice. In each case, the seller in the U.S. adopted GSP for the international delivery, even though I pleaded him/her not to do so and to reconsider to use another option (i.e., any method of direct shipping from a seller to a buyer) instead of this quite inconvenient program for overseas buyers. As a result, without explicit explanation, the "extremely rare items" of Springsteen vinyl collectibles I won were restricted at the Global Shipping Center and not allowed for export to my location.

Collecting log: Dead End Street, an Israeli soundtrack 12" one-sided EP

The vinyl format of 12-inch single/EP came into popularity in the 1970s for commercial releases. The first-ever Springsteen's commercial title in this format was Rosalita (Come Out Tonight), backed with Racing In The Street and Night (CBS 12.7753), that was issued relatively late, back in 1979 in Holland. When 7-inch singles were cut from the albums in the 1980s, almost without exceptions (with the exception of single releases from NEBRASKA), 12-inch counterparts were simultaneously released as either or both of regular and promotional discs.

The 12-inch vinyl came in a matt-surfaced sleeve. The replica sleeve has circulated for long on collector's market, and reportedly, has rather glossy surface without a red promo sticker on the rear. By the way, could someone translate loads of Hebrew writings on the rear sleeve?
 

Collecting log: THE RIVER-era promotion-only various artists' compilation albums released in Japan and The Killer Tracks From The River (concluded)

One of the few coolest sleeves among his entire vinyl releases.

Since the mid-1970s, as pointed out in the early issue of the Backstreets Magazine (#10, Summer 1984), Japan has been a major source of highly collectable vinyl records from Springsteen. As far as the 1970's albums go, the most highly demanded include the advanced white label promotional 1st pressing copy of THE WILD, THE INNOCENT & THE E STREET SHUFFLE (CBS/SONY SOPL-239; released in 1974) with a typo obi, both regular and promotional 2nd pressing copies of GREETINGS FROM ASBURY PARK, N.J. (SOPO-124; released in 1975) with a wrap-around obi, and the world's first-ever custom promotion-only album LAST AMERICAN HERO FROM ASBURY PARK N.J. (YAPC 95; relased in 1978). Although not an LP but a 12-inch EP recorded at 33 1/3 rpm, The Killer Tracks From The River (XDAP 93030; released in 1981), another custom promo-only compilation,probably represents the most important Japanese 30-cm diameter discs released in the 1980s under his name.

Collecting log: The best acquisition in 2016

Big box arrived here from upstate New York. Inset shows the eBay
sticker probably for global shipping (overlaid on which is the semi-
transparent lilac-colored label of the domestic delivery service).

Now we're coming to the end of the year, it's time to look over the best acquisition in 2016. It's a volume purchase won on eBay this spring with a cumulative bid of 12, which resulted in the final amounts just exceeding 80 bucks. The amounts were happily way less than what I had expected to pay, but as always, the shipping cost too much from East Coast of the US (slightly more than the half of the final bid). Speaking of the shipping option, as many non-US buyers already pointed out, I am also quite discontented with eBay Global Shipping Program because it charges additional costs that probably results from handling, custom/import duty (pre-paid is mandatory; Note that the zero rate is usually applied for importing vinyl discs here, unless an item is quite expensive or highly valued) and the US domestic delivery from seller's address to the Global Shipping Center.

Collecting log: 57 Channels (And Nothin' On) US 12-inch Maxi single and Supplementary Note to BORN TO RUN US pressing LP variants: unusual red labels (JC 33795) on Sep 13, 2015

Do unusual red US Columbia labels without a yellow-rim indicate
the later regular pressing around early 1990's?

Another 12-inch vinyl I bought at cheap in my recent trip to Tokyo but not mentioned on the last blog was 57 Channels (And Nothin' On) - The Remixes (Columbia 44 74416) that is issued in the US back in 1992. This Maxi single contains three variants of the title track remixed by Little Steven, plus the non-album B-side Part Man, Part Monkey that is almost regularly played in 1988 during TUNNEL OF LOVE EXPRESS Tour. I remember I first listened to this tune in 1991 through a 3-CD bootleg called SPRINGSTEEN, RAITT AND BROWNE (TCD 16, Templar Records) that was managed to get by mail order to the now-defunct Great Dane Records, Milan, Italy (Templar was a sort of sub-label of Great Dane that distributed bootleg CDs under Templar labels). The bootleg captures the famous solo acoustic performance on November 16, 1990, which is now available as an official live archive release. I also experienced the live performance back in 1993, right in this noisy remix arrangement.

Collecting log: Secret Garden Dutch 12-inch Maxi single

During my recent official trip to Tokyo, I made a brief stop at a few branches of a famous chain store in Shinjuku that deals with a large number of used vinyl stocks for domestic and imported releases. Unfortunately, there were no exciting collectibles (to my standard) among some 50 or 60 Springsteen titles from all over the world. However, at least I did enjoy pretty much checking out what LP and single varieties were available, and consequently, I made several cheap and discounted purchases.

Two old promo-only "Not For Sale" compilation albums released in 1976 (YAPC 77) and 1987 (XDAP 93175) from CBS/SONY Japan include the truncated version of Born To Run and complete Brilliant Disguise, respectively. Shown left is the enlarged image of the short note for the Man and his 3rd LP featured in the accompanying booklet. Oddly, the 1976 compilation disc carries the regular labels back then, but not white ones, even though the catalog number begins with the custom promo-specific prefix "YAPC."

Collecting log: Trivial questions on Born In The U.S.A. white label US promotional 12" vinyl

All the promotional 12-inch discs from BITUSA come with red labels
 except for the title track release whose labels are white (see below).

Revisiting the vinyl bootleg on the last three consecutive posts (April 20, 23 and 24) brought me back to the era of BORN IN THE U.S.A. Around 1984-85, not only had we the flood of live bootlegs from the 15-month world tour, but also we saw plenty of official 7" and 12" vinyl releases from various countries worldwide. While I was looking forward to collecting every forthcoming 7" single from the album with a previously unreleased track on the flip side, it was a series of promotional 12" vinyls that also called my attention. This was simply because the format would at least theoretically provide better sound than 7" or LP format for a given song. My favorite was, and still is I'm Goin' Down (US Columbia CAS 2174), not lyrically but for its enjoyable melody. So, I occasionally pull the copy from my record shelf and give a listen to it played loudly on my DENON turntable.

Collecting log: Dancing In The Dark Mexican colored 12" vinyl

Dancing In The Dark 12" remix collectibles:. Clockwise from
top left: Japan-only promo and the vinyl disc, US promo,
and regular Mexican and Portuguese releases.

More than 30 years ago, in a total surprise to his die-hard fans, Springsteen released special dance mix version of the first three top 10 singles (Dancing In The Dark, Cover Me and Born In The USA) from the album BORN IN THE USA, all of which are pressed in 12-inch format and remixed by Arthur Baker, then one of the most fashionable hip-hop producer. Music-wise, I believe that many of hardcore fans ignore, or are not interested in, these 12" releases. However, there are a few vinyl pressings worthy of collecting for Dancing In The Dark. Although I had refrained from collecting these for long, recently, I got a copy each for Mexican (CBS BS-35051) and Portuguese releases (CBS A 12.4436) at relatively cheap prices on eBay.

Collecting log: TOP 3 collectible acquisitions in 2014

Seeing the New Year soon, I have checked back the recent collecting log and selected what are considered as Top 3 collectibles from what I have obtained through this year. The (subjective, self-satisfied) results are listed below with a short note for each collectible.


Murder Incorporated / Because The Night (live) / Pink Cadillac / 4th Of July, Asbury Park (Sandy) 
(Holland Columbia 661313 6)

    This 4-track 12-inch vinyl is pressed in Holland for export to France in 1995. Housed in a black & white cover whose design is identical to that of the 7-inch vinyl (COL 661313 7; backed with Because The Night) or 5-inch CD-EP (COL 661313 2; the same configuration as the 12") under the same title. Like the CD-EP, it comes with a black sticker on the front sleeve saying in French "titre inédit avec le E Street Band" (new song with the E Street Band). According to the Lost In The Flood collector's page, for unknown reasons, this release was hastily withdrawn. Seldom seen on eBay indeed, and equally tough to find as the 7-inch counterpart.

Collecting log: Rosalita Dutch 12" vinyl (still sealed)

Including or not including the poster. That is the question.
Together with the hard-to-find 7" counterpart.

No, no, this is not a recent acquisition. I have long kept this 12" vinyl, pressed in Holland and released in 1979, under sealed condition.  There are several reasons that make this particular release special among the entire Springsteen's official records. This is the first-ever commercially available 12" vinyl under HIS name, the first-ever commercial release of the title track along with the 7" counterpart pressed in the same country (although it is already released in 1974 on the second album and on the 3-track US promo-only 7" EP), and by far the only maxi 12" single with Night from the third album. However, what makes this release so collectable is not the vinyl itself but the inclusion of the folded poster of a 1975 live stage shot. Reportedly, such copies are quite limited in number and only the early pressings come with it.

Incident On 57th Street (live): Which is the best sounding disc?

LIVE 1975/85 poster issued by CBS/Sony in Japan
with track listing on the right-hand side

About three decades ago, like many hardcore fans, I was also the one who was disappointed at the first glance of the track listing of LIVE 1975/85. I well remember that sometime in September or October 1986, at an import record shop frequently visited back then, I stood straight and stiff in front of the huge poster on the wall that announced the forthcoming release of the 5-LP box set, checking thrice, fourth, or even fifth, the complete 40-live tracks on the album. Despite repeated attempts, I was not able to find on the list, from my viewpoint, what should have been included in the extraordinarily anticipated live album.