DARKNESS ON THE EDGE OF TOWN US LP variations: Notes on the late pressing labels and deadwax

Even a barcode-bearing, very late issue comes with the hype sticker
as viewed in the mirror (This one is a Pitman pressing with the matrix
numbers G2C/G1C). See my thoughts on DARKNESS stickers posted
previously (8/24/2020 and 8/29/2020).

The DARKNESS label variation continues. Here are some notes for the U.S. late pressing, although I don't own as many copies as the early pressing. With the shutdown of the pressing plants in Santa Maria, CA (1963 to 1981), and Terre Haute, IN (1953 to 1982), in the early 1980s, vinyl releases after that from Columbia Records were manufactured at the old Pitman factory, NJ (1960 to 1986), and the newly launched facility located in Carrollton, GA (1981 to 1991). As the major differences from the early releases, at first, these late issues came in the sleeve with the small tracklist/white credit on the rear side, often accompanying the barcode on the upper right corner. Second, the inner sleeve is made of thin paper with poor-quality pictures. Finally, the discs do not carry TML-M or TML-S stamps on each side of the dead-wax space.

DARKNESS ON THE EDGE OF TOWN US LP variations: Summary of LABEL variations found in the early pressings

NOTE: THIS ARTICLE HAS BEEN REVISED AND UPDATED.

1. As of August 21, 2022, this article was revised and updated in light of new information reported on 8/20/2022. The major change focuses on one of the two Pitman pressing variants, "Pitman pressing ー Variant Two (listed below as no. 9)," which turned out to be a product of Peter Pan Records' pressing plant in Lakewood, New Jersey. Accordingly, it was renamed "Lakewood pressing" (or could be alternatively called "Pete pressing").
   
2. As of February 23, 2023, this article was corrected in response to the comment by wbhist (see here), who provided an accurate size of the stamper ring for Lakewood/Pete pressings as well as the three Columbia pressings (i.e., Pitman, Santa Maria, and Terre Haute). Although this post originally reported that these pressings shared the same diameter size, as in the comment, I confirmed that Pete's diameter [2.75" (69.9 mm)] is slightly longer (by approximately 1 mm) than the others [2.703125" (68.7 mm)]. Moreover, the ring size of the Hauppauge/Keel and Holbrook/Goldisc pressings was also found to be a bit more than 69 mm and, thus, the same as the Lakewood pressings (2.75"). Accordingly, all the relevant information has been corrected.

Thoughts on My Father's House on NEBRASKA LP: Asian pressings and its relation to the Japanese discs (Part 2 of 2) — Notes on CBS/SONY's stamper numbers

Upper: The front sleeve of the Taiwan pressing (left) is of significantly
lower printing quality than the Japanese release (right, the obi removed).
Lower: The rear of the Taiwanese sleeve (left) is unique in featuring the
lyrics compared to the standard sleeve (right, Japanese).

In appearance, a Taiwanese copy of NEBRASKA LP in my collection is like a typical Asian pirate pressing that differs notably in several aspects from the official releases in the U.S., U.K., and Japan. First, it is licensed by an obscure company (Lee Ming Records Ltd.) with a unique catalog number (LMSP-004). Second, the front picture of the album sleeve is inferior in its printing quality (which is also true for the Korean LP), losing the details compared with the Japanese LP (CBS/SONY 25AP-2440), and strangely carries the lyrics on the back. So, the cardboard inner sleeve is not contained. Third, the record labels are amateurish in black & white with completely different looking from those of the Columbia/CBS Records, depicting what is considered a company or label logo, "Star Power." All these observations might be enough to conclude that it is a product of piracy activity.

Thoughts on My Father's House on NEBRASKA LP: Asian pressings and its relation to the Japanese discs (Part 1 of 2)

Asian NEBRASKA LP releases. Upper (left to right): three Japanese editions and a Taiwanese copy. Lower: Korea (left) and Hong Kong (right) pressings.

As I reported previously (see 7/13/2019), the initial vinyl pressings of NEBRASKA from several countries have an error on the side-two label, misprinting the playing time for My Father's House longer (5 min 43 sec rather than 5 min 3 sec). These examples count at least eight, including the U.S. and U.K. releases, although only the Brazil pressings truly contain the long version of the song (see 7/22/2019). The same misprint is found in two releases from Asia (i.e., South Korea and Hong Kong). I also have a Taiwanese copy that lists the track length as 5 min 5 sec. These Asian records, but Hong Kong's, are generally not my collecting targets because of the uncertainty of authenticity. However, this album is the only exception for me to collect from these countries.

Thoughts on My Father's House on NEBRASKA LP: an Update to The alternate take with synth coda on regular vinyl pressing!!!

The Japanese CD editions of NEBRASKA (up to the third pressing) featuring the long version of My Father's House have been typical collector's items. Shown is a brief description from a mini-catalog of Backstreets Records issued around 1988.

We, collectors, are always interested in an alternative take or mix on a previously released track, even if the difference is subtle between the two. Among the overwhelming amount of officially released Springsteen's studio/home recordings, My Father's House with an extended coda is the first such example of a regular album track. However, neither he nor the record company intentionally released it, which, for unknown reasons, resulted from using an alternative "pseudo-stereo" album mix featuring this song as the only outstandingly different track from the standard release (see the relevant entry in BruceBase; see also 09/22/2016).