Jan 9, 2016

BORN TO RUN US pressing LP variants: masked Columbia logo

A well modified label fully masking the yellow "Columbia" rim,
which makes it looking like a completely different label
If you, like me, are a collector outside the US, you may have seen US-export vinyl copies whose Columbia Records logo and text, wherever on the sleeve or the record labels, are crossed out, erased by black or color ink, or covered by blank stickers or stickers with printed CBS Records logo. This is simply because in certain import countries, the trademark is not owned by the domestic company or agent having partnership with the US Columbia Records, but by other unrelated companies, mostly for historical reasons as a result of mergers, acquisitions or corporate restructurings in music industry there.

Japan is one such typical example, where the Columbia brand was originally introduced in 1931 by Nippon Phonograph Co. (also known as Nipponophone Co., Ltd.), a subsidiary of EMI (Electric and Musical Industries, Ltd.) that retained ownership of the label at that time. Then EMI sold the trademark. In the US, the right to the Columbia brand was taken over by CBS Inc., but in Japan, continued to be owned by Nippon Phonograph (known as Nippon Columbia Co., Ltd. after World War II, and then Columbia Music Entertainment, Inc. since 2002). The company did not assign the right to Sony Inc. (Japan) in 1968 when Sony and CBS Inc. (USA; Columbia Broadcasting System Inc., back then) established the joint venture to form CBS/Sony Records Inc. So, the Columbia label is still operated in Japan by the company unrelated to the US Columbia Records, which keeps preventing Sony from using the brand name and logo here.
Note: Although I tried to explain as simple and accurate as possible the background and current copyright situation of the Columbia trademark in Japan, there may be misunderstanding and errors due to my confusion.

Four stickers, including the custom red/gold CBS Records logo seal on the upper right corner of the rear sleeve, are used on the outer sleeve while one masks a "Columbia" text in the credit description on the lower right part of the inner sleeve.


An example of a sloppily modified copy, found somewhere internet
(not in my possession)
The above shown US pressing of BORN TO RUN (PC 33795; non-misspelt later pressing) represents one of such sleeve/label-modified vinyl issues. As far as I've seen, this particular copy is the most smartly modified one, by using golden stickers which mask all the Columbia logo and text found on the sleeve as well as the record labels, and where appropriate, the CBS logo is pasted over. In another example (shown right), the logo and brand name are crossed out by rough hand-writing with marker on the label and covered with grey stickers on the sleeve, which looks fairly sloppy in comparison to the above gold-stickered copy. One may question as to where the sleeve and labels are modified. Because this "Columbia - CBS" copyright infringement concerns only in a few specific countries, and because the individual copies seem not to be uniformly modified in the same way (as seen in the two copies shown here), I guess they are processed after export from the US. Collection-wise, these LP releases certainly do not constitute prime targets, but could be good additions to vinyl collection if the sleeve and labels are well modified to be nice looking, such as the one mentioned here.


Dec 27, 2015

Collecting log: TOP 3 collectible acquisitions in 2015

Ready to send out 2015?  Near the close to another year, I have looked over the collectibles that were acquired this year, just like I did in the final blog last year. Here is the TOP 3 collectible acquisition in 2015, as selected by my own subjective criteria.


THE WILD, THE INNOCENT & THE E STREET SHUFFLE (US Columbia KC 32432)
The original US copy with the catalog number prefix "KC" used for promotion.
Behind is the second issue (PC 32432) with the album title printed in yellow.
Inset: Red promo stamp on the rear sleeve.
For Springsteen's first and second LP releases, no white-label promotional copies are known to exist concerning the US pressing. So, regular copies with red Columbia stock labels are issued for promotional purposes. These copies are housed in regular picture sleeves with a timing strip pasted over the front and a gold or red "Demonstration Not For Sale" indication stamped on the rear. This is a rare promo copy additionally accompanied by a 10-page original copy of song lyrics from Laurel Canyon Music, Ltd.
Machine-typed matrix numbers in dead wax on both sides end with the suffix
1A/1A, denoting this being the very first, original pressing (shown is Side A)
Stapled lyric transcription sheets credited by Laurel Canyon Music are often included in test pressing and early promo packages of the first three albums, with the most known example being the BORN TO RUN script cover set and another being GREETINGS FROM ASBURY PARK, N. J. test pressing LP. Notably, the regular pressing of the second album is the only Springsteen LP that has been issued without the printed lyrics for the featured songs (except for the Japanese release). Couldn't this fact make the promo THE WILD lyric sheets rarer and more valuable than the other two?

Closing up the bottom part of the lyric sheet for Wild Billy's Circus Story with Laurel Canyon music credits

THE PITMAN FAMILY OF MUSIC: Our First 20 Years CBS Records 1960-1980 (US CBS P 15663)

The sleeve is in still shrink-wrapped nice condition.
By the way, why is Backstreets chosen among many others?
(not complaining but just wondering)
This very scarce promotion-only LP is an in-house release of CBS Records in 1980, as a given-away gift only to employees of the company's pressing plant in Pitman, New Jersey, to celebrate the 20th Anniversary of the plant. The disc features snippets of songs from dozens of CBS artists, including Springsteen. Although his contribution is only a short segment of Backstreets just before ending outro on Side 2 of the LP, I really enjoy listening to an overwhelming array of old hits on the record (the complete track info and more images are available at Bruce Springsteen Lyrics).

Matrix number on the black vinyl edition is
not hand-etched, but machine-stamped
(shown is that on Side 1)
I obtained it on eBay auction at a fairly low bid amount (just below $14) because this copy is missing an accompanying 16-page booklet. Also issued as an extremely rare picture disc (which I don't own). According to this page ("Searching For A Gem" Bob Dylan's Officially Released Rarities and Obscurities), the matrix numbers on trail-off areas of both sides (Side 1, AS 15663-1A; Side 2, BS 15663-1A) are hand-etched on the black vinyl while stamped on the picture disc. However, found on my copy of black vinyl are the stamped ones.


One Step Up (US Columbia CSK 1031)
One Step Up US promo-only 5" and 3" CDs, probably the earliest
among all the custom promo-only CD releases of Bruce Springsteen
This advanced CD single of my favorite TUNNEL OF LOVE tune was released in the US, probably in early 1988. To my knowledge, the item represents Springsteen's first-ever release of a custom promotion-only 5-inch CD (someone, please correct me if I'm wrong). Maybe the first ever promotion-only CD in any format among his entire catalog, or second only to the equally tough-to-find One Step Up / Roulette promotion-only 3-inch CD single (US Columbia 38K 7726). Below is a partial scanned image from the info sheet for CD RARITIES AUCTION listing these CD singles held by BACKSTREETS Records sometime in the summer of 1989.

An excerpt from an auction list of Backstreets Records issued in 1989
As you read, this promo CD5 was the most highly rated among collectible CDs on the auction list ("The single rarest Bruce CBS promo - many people at first denied that this existed"). This was partly because back then (roughly three decades ago!), CD was a newly developed, hot vehicle for music distribution that attracted many collectors. So, demand was quite high, particularly for custom promotion-only releases like this, which were usually available in extremely limited quantities. Using the same front sleeve as the US 7" vinyl and European CD3 singles, at first glance, this early promo CD5 looks as if it is a regular commercial copy (though no such CD copies exist). It is not ranked in the top 40 worldwide Springsteen rarities featured in the November 2006 issue of Record Collector (No. 329). Certainly, however, consistently hard to come by and so still highly collectible in my opinion, although I don't exactly know the current value. Luckily, to my surprise, this particular copy was found buried in a pile of used CDs at a second-hand record store. Priced at 3,500 JPY (= US $29). As pictured above, this is the second copy in my collection. Probably, the most exciting outcome of collectible hunting in 2015 (though not a vinyl disc but a CD).

All the best in the New Year 2016!

Dec 25, 2015

Classic Vinyl Bootleg Revisited: PIÈCE DE RÉSISTANCE 3LP box (concluded)

The first pressing box release has been said to be limited to 450 numbered
copies
. I have long wondered how that number was known.
On par with PIÈCE DE RÉSISTANCE, another FM-sourced, dynamic triple-vinyl LP release of LIVE IN THE PROMISED LAND is often referred to as the greatest vinyl Springsteen bootleg of all time. Which title is better depends on personal preference, or when and how one obtained each copy, as every collectible purchase has its own story (my vote goes to PIÈCE DE RÉSISTANCE). The reason why I here mention the other classic Bruceleg from the same 1978 tour is that this release also comes with the Slipped Disc Records label on each vinyl disc. This is no wonder because the two titles are made by the same bootlegger (commonly called Vicky Vinyl). To my knowledge, however, no generic yellow label version does exist for the first box and second gate-fold issues of LIVE IN THE PROMISED LAND. Assuming that my knowledge is correct, what is the implication of this fact to the topic here? (i.e. Which label, specifically generic yellow or custom Slipped Disc Records, is the first on PIÈCE DE RÉSISTANCE ?)

According to the Blinded By The Light book (P. Humphries & C. Hunt, 1985, Plexus, London), LIVE IN THE PROMISED LAND is initially released as a limited edition box with the insert, which is similar to the package of PIÈCE DE RÉSISTANCE. The deluxe, black and white gate-fold sleeve edition follows as the second pressing, although the three vinyl records are indistinguishable from those of the first box release in terms of sound quality, labels (Slipped Disc Records), matrix numbers (BS 2978 A/B/C/D/E/F), and probably all the other aspects. Thus, two differences are obvious in production of these two landmark releases:
  1. LIVE IN THE PROMISED LAND is released in two distinct packages (box and double jacket) while PIÈCE DE RÉSISTANCE is the box release only.
  2. The single record label (Slipped Disc Records) is consistently used for LIVE IN THE PROMISED LAND whereas PIÈCE DE RÉSISTANCE is issued with two completely different labels (generic yellow and Slipped Disc Records).
A possible reason for the two different packages of LIVE IN THE PROMISED (1) was already explained in the previous post. In brief, when vinyl discs were pressed and ready for the release, probably the fold-out sleeve was still not finished up. That's why the box set was initially released with the text-only slick insert, and later the double jacket replaced the box when it became available.

One of the second pressing copies of LIVE IN THE PROMISED LAND
erroneously contains Disc 3 from PIÈCE DE RÉSISTANCE (Slipped Disc
version), an indication that these two bootleg records were pressed

or manufactured at the same location somewhere in West Coast
I think a possible reason to explain (2) is very simple: PIÈCE DE RÉSISTANCE was released before LIVE IN THE PROMISED LAND, hence before the custom Slipped Disc Records label was made available to it. Because of this, the early copies for PIÈCE DE RÉSISTANCE was probably pressed with the generic yellow labels. However, when LIVE IN THE PROMISED LAND was about to be released, the custom label was ready. Because both bootleg titles were made by V. Vinyl and possibly pressed at the same pressing plant, I guess she just switched the label of PIÈCE DE RÉSISTANCE from the generic yellow to the better looking custom version. I have long believed so, and this provides another support for my main claim here (shared with Mr. "D") that PIÈCE DE RÉSISTANCE is originally issued with the generic yellow label and then the Slipped Disc Records edition follows.

However, I happened to know that Clinton Heylin, an authority on Springsteen's recording and bootleg, writes in his book E STREET SHUFFLE: The Glory Days of Bruce Springsteen and the E Street Band (2012; Penguin Books, New York) that there was LIVE IN THE PROMISED LAND before PIÈCE DE RÉSISTANCE, which utterly contradicts my long belief!
"... They (i.e. Vicky Vinyl and her conspirator; annotated by this blogger) had taken Springsteen at his on-aired word and had pressed up the Winterland show in its three-hour entirety. When that three disc set sold well, they issued the Passaic FM broadcast too, as the memorable Pièce de Résistance ..."  
To me, this description is questionable because of the following two points. First, the Passaic concert (19/09/1978; bootlegged in PIÈCE DE RÉSISTANCE) precedes by almost 3 months the Winterland show (15/12/1978; bootlegged in LIVE IN THE PROMISED LAND). Second, it seems that PIÈCE DE RÉSISTANCE circulated as early as around Thanksgiving Day in 1978 (not in 1979), according to collectors who have bought this box set immediately when it was out from West Coast (such collectors' reminiscences are found here and there in some relevant thread or message board focusing on this bootleg LP). So, although not conclusive, I guess Heylin's description in this part might be a lapse of his memory.

Unfortunately from my humble point of view, his books such as this and others (notably, BOOTLEG: The Secret History Of The Other Recording Industry, 1996; St. Martin's Griffin, New York) seem to contain errors and mistakes more than usually, in part probably due to overloading of the information (Don't take that I am challenging him. I like his works that are quite interesting reading). For example, strictly speaking, the sentence in the above quotation "... had pressed up the Winterland show in its three-hour entirety" is not accurate because the bootleg lacks the final three encore songs. Another example is found on the same page the above quotation appears in this book, which wrongly quotes Springsteen's "on-aired word" (i.e. the famous "through the magic of bootleg" comment) as introduction to Sandy (it's of course not, but to Racing In The Street). This error is also found in the BOOTLEG book.

I think I could write more about these bootlegs but maybe it's time to move to other topics. Finally, I thank Mr. "D" for sharing his thoughts and information, and discussing on this topic, which was really enjoyable.