Collecting log: The Japanese original release of NEBRASKA LP. Was it really issued with a magnificent full-color poster? (Part 2 of 2)

A typical NEBRASKA ad in music
magazines in Japan came with a
catchphrase, "This is a personal
message to you from Bruce."

Among collectors, certain copies of Japan's original NEBRASKA LP (CBS/SONY 25AP 2440) have been highly sought-after because a collectors' bible, the Blinded By The Light book (P. Humphries & C. Hunt, 1985, Plexus, London), reports that the first 1000 copies were issued with a 24" x 36" color poster (exactly, A1 size: 23.4" x 33.1"). As explained in the previous post (09/18/2024), however, I have long been skeptical about this description.

Back when it was originally released in Japan in October 1982, many posters were not inserted into the LP sleeve but were handed in-store as a roll-up form to those who bought the album. Suppose there were poster-contained LP records in the order of a thousand copies instead of 100 or 10 copies only. If that were the truth, in my sense, we could have had many more chances to see or encounter such copies, at least here in Japan.

Collecting log: The Japanese original release of NEBRASKA LP. Was it really issued with a magnificent full-color poster? (Part 1 of 2)

Six-folded posters are available almost strictly as a set with the
album. In contrast, the rolled and unfolded posters (see the
image on 09/24/2017) generally circulate alone at auctions
and collectors' markets.

Japan is one of the great sources for vinyl and CD collectibles, not only for unique products of both regular and promotional releases but also for standard-issue variants (e.g., obi decoration and variation, graphic modification with Japanese characters, Japan-only booklets, etc.). However, there have been misunderstandings and insufficient information on some common and rare collectors' items. Let me start by mentioning a few notable instances that have already been featured in past blog posts. 

• The first vinyl edition of LIVE/1975-85 (CBS/SONY 75AP 3300-4) is often said to come out with a gold obi, so as the initial CD version (CBS/SONY 75DP 700-2) did, but the red is the first (see 11/23/2020). 
• It had long been unknown or unnoticed that the extremely rare, promotion-only Human Touch c/w Better Days 3" CD single (SONY XDEP 93043), also subtitled The Boss Is Back!!, was originally accompanied by a tri-fold insert with the twin album's info and lyrics, just because such insert is missing in most copies in circulation (see 05/19/2017).

Classic Vinyl Bootleg Revisited: 'E' TICKET, its very limited first edition, also known as the advanced release (Part 5 of 5)This article supplements and follows up on the previous posts on this bootleg in October 2014.

"Another (fake)" advanced copy (upper)  differs from a
genuine copy (lower) in several respects.

Content-wise, the final post on the very first release of this classic bootleg focuses on a topic that may be rather unimportant or uninteresting to you: comparing it with another "ADVANCED PRESSING - E TICKET - COLLECTORS ITEM" that also came in a simple white cover with only the above title printed on it. For years, this release seemed (and still seems) to have caused confusion among bootleg collectors, which is still observed in online vinyl record databases and blog articles. An example is found in the relevant Discogs entry (see the image below) that describes it as being pressed in Germany and released in 1975!

Classic Vinyl Bootleg Revisited: 'E' TICKET, its very limited first edition, also known as the advanced release (Part 4 of 5)This article supplements and follows up on the previous posts on this bootleg in October 2014.

On June 23, 1979, the Billboard Issue reported a momentous
event—the Largest Recording Seizure in Los Angeles Ever: the
confiscated bootlegs included "E" TICKET, although the actual
album title was not given in the article (Note that Billboard has
released magazine issues into the public domain by releasing
them on Google Books and the Internet Archive).

Arguably, "E" TICKET is one of the most famous and important releases in the history of Springsteen bootleg, emerging in the late 1970s and often pirated in the vinyl era. The sound quality is splendid as a bootleg, probably sourced from a demo cassette provided to a New York publisher in 1975 (see below). In addition, the bootleggers wisely avoided using a slick insert cover (the standard of bootleg back then) and borrowed a great outtake shot for DARKNESS ON THE EDGE OF TOWN (as you know, officially used for the front sleeve of the U.K. 12-inch single off THE RIVER; see 12/22/2019). So, the album sleeve was quite appealing, looking like an official product as if it followed DARKNESS, although the material was nothing related to this album. And don't forget that this release was one of those bootlegs that upset the man and the record company in 1979, leading to one of the most famous lawsuits against bootlegging in the history of the U.S. music industry.

Classic Vinyl Bootleg Revisited: 'E' TICKET, its very limited first edition, also known as the advanced release (Part 3 of 5)This article supplements and follows up on the previous posts on this bootleg in October 2014.

"When vinyl records were ready, the sleeves were not.”
That was what I was told, explaining why these classic bootlegs
from the late 1970s existed in two forms: one simple and the
other looking like official products.

About thirty years ago, or in the mid-1990s, I obtained this renowned Bruceleg from the late 1970s in an unusual form—a bit inky, plain, simple sleeve—from someone in Southern California, where bootlegging activities were the most active in the 1970s. He told me that the very early pressings were not housed in that well-made, black-and white sleeve we know but came in a plain white cover on which the album title and artist name were stamped with a handwritten serial number. He continued this was because the vinyl discs were pressed before the sleeves were finished, so the first pressing did not have a printed sleeve. This also probably explains why LIVE IN THE PROMISED LAND was first issued as a triple-vinyl box with a numbered insert rather than the famous gatefold sleeve.

Classic Vinyl Bootleg Revisited: 'E' TICKET, its very limited first edition, also known as the advanced release (Part 2 of 5)This article supplements and follows up on the previous posts on this bootleg in October 2014.

A copy with serial number #20 was recently auctioned on eBay (left). It looks very similar to mine numbered #21 (right) and #27 (not shown; the pictures on 10/12/2014 and 06/01/2024), which hold a special place in my vinyl Bruceleg collection. When I obtained the two copies from someone who resided in California nearly three decades ago, he explained these as an advanced pressing of this all-time classic bootleg of Springsteen. The left image is courtesy of and used with permission from HiFi Dojo (eBay seller).

Classic Vinyl Bootleg Revisited: 'E' TICKET, its very limited first edition, also known as the advanced release (Part 1 of 5)This article supplements and follows up on the previous posts on this bootleg in October 2014.

The clipping of a Japanese magazine (wherein the reported title can be translated as "Bruce Springsteen ran out of patience against bootlegging") was probably taken from an October 1979 issue of an FM radio/music magazine (I'm not sure, as only the clipping has been kept with me).  Mostly based on the relevant articles from Billboard (July 29, 1979) and Rolling Stone (September 6, 1979), the Japanese magazine reports that Springsteen and his record company sued the bootleggers with distribution networks in California (i.e., Vicki Vinyl and her partners-in-crime, though their names were not given), mentioning this studio-outtake album as one of the four bootleg records they manufactured (see inset, which can be translated as follows: "Four bootleg albums of Springsteen were made, including the famous E TICKET," where "Four" refer to PIÈCE DE RÉSISTANCE, FIRE, and LIVE IN THE PROMISED LAND, besides this). I remember I felt somewhat strange that the anonymous writer of the report described "E" TICKET as "famous," given the magazine's wide target readership (covering all music categories, including classical music) and the issue's publication year (1979; Springsteen was not so popular and widely known in Japan until his smash hit of Hungry Heart in 1980). It must have been famous only among bootleg collectors...

Collecting log: My Lucky Day (when I happened to get a rare sample record)

In Japan, Brilliant Disguise, the first single off the album TUNNEL OF LOVE in 1987, was released twice commercially as a 7" format: one as a standard two-track disc (backed w/ Lucky Man) and another as a low-budget, one-track reissue (CBS SONY 07SP 1070 and 04SP 1075, respectively). To boost the sale of these singles and the album, CBS/SONY distributed three promo/sample 7" counterparts (the same catalog numbers as aforementioned and XDSP 93096). Two of them have become highly sought-after collectibles, one solely for its rarity (center; this post) and another not only for its scarcity but also for the unique promotion-only sleeve design (left; see also 11/20/2016).

Classic Vinyl Bootleg Revisited: ALL THOSE YEARS — unofficial but the first retrospective release of a supectacular 10-LP box collection (Part 3 of 3)

One of the ten white label test pressing discs of the
ultimate Bruceleg. Shown is Side Two of Disc One,
as indicated by the matrix number "SR 112," hand-
marked on the plain label and engraved on the vinyl
deadwax (not in my possession). Photos provided
courtesy of hrubesh.

 

"As the man behind many older bootlegs, including All Those Years, one has to be impressed with the sincerity and integrity of Mr. Dane* as a bootlegger."
(unsigned article,1989) Bootleg Compact Discs: An exclusive investigation into illegal CDs. Backstreets Magazine, Number 29, excerpted from p. 16.
*Pseudonym for an anonymous member of the Italian Great Dane Records label who was interviewed by the magazine for the article when he participated at the Austin Record Convention, Texas, in the Spring of 1989. Needless to say, the label purportedly released the first known Bruceleg CD (i.e., YOU MEAN SO MUCH TO ME) early that year.

"Great Dane consists of a group of collectors. We select artists using our 'heart', [and] we select our production considering three things: popularity of the artist, quality of available tapes and the sales potential. There's nothing original in this, except that we consider Europe as our market."
Clinton Heylin (1995) Chapter 17. It was less than twenty years ago ... In: Bootleg: The Secret History of the Other Recording Industry, excerpted from p. 310, St. Martin's Press (New York).

Classic Vinyl Bootleg Revisited: ALL THOSE YEARS — unofficial but the first retrospective release of a supectacular 10-LP box collection (Part 2 of 3)

"You certainly love Bruce Springsteen and his music. That's sure because only true lovers can buy a ten record set; this album has been made for guys like you. So we can avoid talking about how great he is, and how good his songs are: we both know. Here we want to introduce to you these records, that, of course, are the results of a deep passion and lengthy work. They contain recordings from twelve years of Springsteen's career, trying to cover every tour he has made."
Quoted from the preface of the booklet included in ALL THOSE YEARS.

As I wrote in the last blog (02/23/2024), my financial status as a university student did not allow me to purchase this magnificent release when I first saw it was out in 1984.  Undoubtedly, a 10-LP bootleg was a surprising and impressive release in its volume alone, and the concept every hard-core collector can share was well-represented by the accompanying 20-page booklet. To be honest, however, I did not become engrossed in this box too much initially because of the extraordinarily high price and because I much preferred live bootlegs of a whole or nearly complete single concert (just like the Official Live Archive series) to those of compilations from various locations. The latter reason also mainly explains why I wouldn't say I liked the official live retrospective box released in 1986 (see 11/21/2019).

Classic Vinyl Bootleg Revisited: ALL THOSE YEARS — unofficial but the first retrospective release of a supectacular 10-LP box collection (Part 1 of 3)

Two copies are in my possession, with and without a limited serial
number. The first copy I got was a reissue without a serial number
at the JEUGIA Karasuma Shijo (烏丸四条) branch, Kyoto, in 1987.
It took a few more years, but luckily, I obtained an early copy with
a limited number in the 200s from a European collector at a much
cheaper cost than the original copy I first saw in 1984.

"It is the nicest collection of Springsteen material released anywhere, commercially or bootlegged."  Steve Reed (1984) 'All Those Years' a great set. Backstreets, Number 11 (Vol. 3, #3), excerpted from p. 23.

"The thoughtful choice of songs and all round excellence of sound, packaging and production makes this the ultimate in bootlegging."  Patrick Humphries and Chris Hunt (1985) Fire on the fingertips (Bootleg singles, EPs and albums). In: Springsteen: Blinded by the Light, excerpted from pp. 133–134, Plexus Publishing Limited (London).

"Most [sic] complete Springsteen set ever made."  Author unknown (1986) Section One: Non-commercial releases. In: The Bruce Springsteen Collector's Guide, excerpted from pp. 4–5, 1986, publisher unknown.

"The original vinyl version, which had also originated in Italy, had excited considerable comment in the wake of Springsteen's own disappointing three-CD collection Live 1978-85 [sic]."  Clinton Heylin (1995) Chapter 17. It was less than twenty years ago ... In: Bootleg: The Secret History of the Other Reccording Industry, excerpted from p. 311, St. Martin's Press (New York).

Collecting log: Born To Run / Backstreets Japanese 7-inch single with an unusual inner company sleeve (Part 2 of 2)

Although most copies of the Japanese Born To Run single came in a generic ocean-blue company bag, some accompanied a custom-designed inner advertising sleeve for the now-defunct Pan Am Airways, encouraging Japanese nationals to fly the airline company when traveling to the United States on the occasion of the bicentennial celebration in 1976.

In the late 1960s to early 1970s, CBS/SONY (Japan) Inc. partnered with Pan American Airways (ceased operations in 1991), commonly known as Pan Am, and advertized this airfreight company and its Boeing 747 jetliner (which had just entered service at that time) on their inner sleeves for some 7-inch singles. According to the relevant page on the Discogs database, such vinyl discs were released as "Air-Play Series 45 RPM" between 1969 and 1972, at least three years before Springsteen's first single, Born To Run, coupled with Backstreets (CBS/SONY SOPB 334), was issued here in 1975. However, one of my possessions came in a Pan Am color-inner sleeve, although it differed from those shown in the Discogs.

Collecting log: Born To Run / Backstreets Japanese 7-inch single with an unusual inner company sleeve (Part 1 of 2)

The two most unique picture inserts among the Japanese commercial 7-inch releases (CBS/SONY SOPB 334 and 07SP 511; shown are promotional issues) were reproduced for the front and rear sleeves of the extremely rare custom promotion-only 5-inch CD EP (SONY XDCS 93176) to support the sale of the GREATST HITS album in 1995 (SONY SRCS 7631).

While not a serious 7-inch collector, I've occasionally picked up domestic and imported discs, both online and on-site nearby, if I found them rare, interesting, bizarre, or cheap (such blog posts are put together here). As for such 7-inch singles, whether vinyl pressing or styrene molding (see, for example, 05/14/2016 and 02/23/2020 if interested in this topic), sleeve artwork constitutes a major part of collectors' interest. In this respect, many Japanese 7-inch are collectible, mostly because of the unique graphic treatments on picture sleeves using the Japanese writing system consisting of Hiragana, Katakana, and Kanji.