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| Doberman is one of the earliest known CD-R bootleg labels, releasing their first ever Springsteen titles in 1996. Initially, their copies came with CD-R discs with no artwork, just a hand-written catalog number. Accompanying inserts were stamped with a serial number in blue. I obtained most of these CD/CD-R imports from Spanish retailers in the mid-to-late 1990s (see 12/08/2020). | 
Great Dane (1989—1997), Scorpio (1989—), Crystal Cat (1992—), E Street (1993—1999), and so on. With the advent of underground CD labels, the early and mid-1990s were exciting years for bootleg collectors. We saw not only lots of new releases not bootlegged previously, but also reissue titles to appreciate classic concerts again, often in better quality or at least free of the clicks and pops inherent to vinyl discs. Towards the late 1990s, however, the circumstances substantially changed.
Bootleg CDs could be quite easily homemade using CD-R for audio media and an ink-jet printer for sleeve/label artwork. In addition, unofficial recordings, the sources of bootlegs, became available much faster and for free in non-physical format due to the expansion of the internet. For example, I remember live recordings from the late part of the reunion tour in 2000 were available online for download (mostly in mp3 format) within a few days after the shows. Since then, for me, bootlegs have neither been the same as before (i.e., vinyl and silver-CD releases) nor tasted as sweet as honey, and it's been no fun to collect them anymore. Consequently, I largely lost my interest in bootleg CDs and finally stopped collecting them in 2000 while Mr. Springsteen was still touring with the reunion band and bootleggers produced many CD titles from this tour and other sources.
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| "Come back, Suki!" the bootlegger (you know who he is) speaks out for fans and collectors. Shown is the rear side of the folded slick inserts of HOT COALS FROM THE FIERY FURNACE, released early in 1976 by Hoffman Avenue Records (HAR). | 
That being said, by the year 2000, I obtained two more CD and CD-R titles (THE GREATEST PERFORMANCE and FLESH AND FANTASY, respectively) and one downloaded online for free as electronic files (NEW YORK CITY SERENADE) that featured Suki Lahav, in addition to the two Main Point CD releases mentioned in the previous post (10/28/2022). I also had a circulating videotape copy for the Widener Field House show in Chester, PA, on February 6, 1975, although it did not cover the entire concert. Not counting the VHS tape, at that point (more than two decades ago!), I was able to appreciate the following four fascinating performances that never happened again (as Suki left back for Israel and has not come back to the U.S.):
1) October 19, 1974 / Memorial Chapel Concert Hall, Schenectady, NY
- Vinyl: NEW YORK CITY SERENADE (2LP, Exodus Records, ER-002; picture disc edition)
- CD: NEW YORK CITY SERENADE (Scorpio, 00-C-046 -A/B; downloaded as mp3 files online for free in 2000).
- CD-R: FLESH AND FANTASY (Doberman, 125/126; an early numbered copy)
- Vinyl: YOU CAN TRUST YOUR CAR TO THE MAN WHO WEARS THE STAR (Singer's Original Double Disks, SODD 001)
- CD: THE SAINT, THE INCIDENT & THE MAIN POINT SHUFFLE (Great Dane, GDR CD 9012)
- CD: YOU CAN TRUST YOUR CAR TO THE MAN WHO WEARS THE STAR (Labour Of Love, Love 022/023)
- CD: THE GREATEST PERFORMANCE (Parrot, no number)
Having listened to the concerts documented in these bootleg CDs, one may notice an interesting fact: Suki was never introduced to the audience whole through these shows, even though the then-two new faces, Roy Bittan and Max Weinberg, were done so together with the other band members during Rosalita. Probably, Springsteen considered her as a guest musician rather than a band member and kept her mysterious and intriguing to the audience.
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| My Best One: A Bootleg Record Of Bruce Springsteen: that's what the boxed sentence means. I was surprised when I found my favorite bootleg featured in a major music magazine in the early 1980s. | 
"This vinyl record was a gift from Shigeru Izumiya*. It sounds as if being right at the center of the concert hall — spectacular, which you cannot experience with any other ordinary live recording. I listen to the cassette-dubbed copy while riding my motorcycle, which makes me really excited mentally and physically. It's my treasure."
*Japanese folk/rock singer, writer, actor, director, and comic artist (1948—).
— Back to Part 1, Part 2, Part 3, or Part 4.

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