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| Obviously, Springsteen's facial shot by Eric Meola is the prototype of the Texaco-serviceman-guised drawing on the bootleg cover. On the right is an actual photo image featured on the interior of the famous Script Cover gatefold sleeve that houses the advanced U.S. promotional test pressing of BORN TO RUN LP (1/25/2015). The same picture was also used, as it is, for the cover image of another bootleg, LIVE AT THE BOTTOM LINE 8/15/75, released late in 1975 (8/11/2016). BTW, you may notice a small JASRAC sticker (a typical one from the mid-to-late 1970s; see 5/10/2018) on the bottom left corner of the bootleg. JASRAC stands for Japanese Society for Rights of Authors, Composers and Publishers, and the presence of its sticker means that the bootleg's content is officially licensed. But, then, how could this happen? Probably, JASRAC distributed the sticker to the import trader in response to the successful application for the license, who then put it on the album cover. In fact, here, we often see JASRAC-stickered copies of bootleg vinyl and CD imports. | 
"You don't see no music on the records unless you watch the grooves. And that ain't much. That's pretty boring,"
Bruce Springsteen once said. Despite his words, I have never felt bored when looking at these vinyl analog artifacts. 
I hope you enjoy reading this blog as much as I enjoy sharing information and my personal thoughts with you. 
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Oct 28, 2022
Classic Vinyl Bootleg Revisited: Suki on double vinyls! — YOU CAN TRUST YOUR CAR TO THE MAN WHO WEARS THE STAR from the mid-1970s and NEW YORK CITY SERENADE from the late-1980s (Part 2 of 5)
Oct 22, 2022
Classic Vinyl Bootleg Revisited: Suki on double vinyls! — YOU CAN TRUST YOUR CAR TO THE MAN WHO WEARS THE STAR from the mid-1970s and NEW YORK CITY SERENADE from the late-1980s (Part 1 of 5)
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| The first half from a dozen line up of the Singer's Original Double Disks label releases (SODD 000 to 012) is shown. This includes two early Springsteen bootlegs from the mid-1970s, of which the SODD 006 title has two typos (Flat Tops And Pin Drops; see 5/10/2018). Taken from the slick insert of Beatles' SECOND TO NONE (SODD 009). | 
Quoted from BOOTLEG: The Secret History Of The Other Recording Industry, Clinton Heyin, 1996, St. Martin's Griffin, NY.